Author: Navid Kermani Publisher: John Wiley & Sons ISBN: 1509514872 Size: 31.67 MB Format: PDF, ePub View: 4795
What happens when one of Germany's most important writers, himself a Muslim, immerses himself in the world of Christian art? In this book, Navid Kermani is awestruck by a religion full of sacrifice and lamentation, love and wonder, the irrational and the unfathomable, the deeply human and the divine – a Christianity that today’s Christians rarely speak of so earnestly, boldly and enthusiastically. With the open-minded curiosity of a non-believer – or rather a believer in another faith – Kermani engages with Christian art in its great richness and diversity. The result is an enchanting reflection which reinvests in Christianity both its spectacular beauty and its terror. Kermani struggles with the cross, falls in love at the sight of Mary, experiences the Orthodox Mass and appreciates the greatness of St Francis. He teaches us to see the questions of our present-day lives in the pictures of old masters such as Botticelli, Caravaggio and Rembrandt – not with lectures on art history or theology, but with an intelligent eye for the essential details and the underlying relations to seemingly remote worlds, to literature and to mystical Islam. Kermani's poetic school of seeing draws us in as we are carried along by his unique perspective on Christianity, rekindling our interest in great art at the same time. We are captivated by his unique and brilliant Islamic reading of the West.
Author: Alberto Manguel Publisher: Yale University Press ISBN: 0300235496 Size: 36.37 MB Format: PDF, Kindle View: 1199
A best-selling author and world-renowned bibliophile meditates on his vast personal library and champions the vital role of all libraries In June 2015 Alberto Manguel prepared to leave his centuries-old village home in France’s Loire Valley and reestablish himself in a one-bedroom apartment on Manhattan’s Upper West Side. Packing up his enormous, 35,000†‘volume personal library, choosing which books to keep, store, or cast out, Manguel found himself in deep reverie on the nature of relationships between books and readers, books and collectors, order and disorder, memory and reading. In this poignant and personal reevaluation of his life as a reader, the author illuminates the highly personal art of reading and affirms the vital role of public libraries. Manguel’s musings range widely, from delightful reflections on the idiosyncrasies of book lovers to deeper analyses of historic and catastrophic book events, including the burning of ancient Alexandria’s library and contemporary library lootings at the hands of ISIS. With insight and passion, the author underscores the universal centrality of books and their unique importance to a democratic, civilized, and engaged society.
Author: Marcus Berkmann Publisher: Little, Brown Book Group ISBN: 1408707446 Size: 70.53 MB Format: PDF, Docs View: 5781
Approaching its 200th birthday in the rudest of health, the Spectator is known for the quality of its writing and the deep eccentricity of some of its writers. Given the freedom to say what they want, they take that freedom and more, and the result is original, provocative, often very funny, sometimes plain wrong. From Jeffrey Bernard's reports from the Soho frontline and Auberon Waugh fulminating about hamburger gases in the early 1990s, we encounter in turn the wild stream of consciousness of Deborah Ross's restaurant reviews, the pinpoint etiquette advice of Mary Killen, Rod Liddle's frothing but elegantly sculpted outrage and the magazine's secret weapon, low life adventurer Jeremy Clarke. This bumper selection, which also includes eminent diarists, mad letter-writers and Boris Johnson, amounts to a masterclass in comic writing, lovingly compiled and edited by Marcus Berkmann, who still can't believe he wrote a monthly pop column for the magazine for twenty-eight years without being fired.
Author: Lilie Chouliaraki Publisher: John Wiley & Sons ISBN: 0745664334 Size: 71.49 MB Format: PDF, Docs View: 469
WINNER of the 2015 ICA Outstanding Book Award This path-breaking book explores how solidarity towards vulnerable others is performed in our media environment. It argues that stories where famine is described through our own experience of dieting or or where solidarity with Africa translates into wearing a cool armband tell us about much more than the cause that they attempt to communicate. They tell us something about the ways in which we imagine the world outside ourselves. By showing historical change in Amnesty International and Oxfam appeals, in the Live Aid and Live 8 concerts, in the advocacy of Audrey Hepburn and Angelina Jolie as well as in earthquake news on the BBC, this far-reaching book shows how solidarity has today come to be not about conviction but choice, not vision but lifestyle, not others but ourselves – turning us into the ironic spectators of other people’s suffering.
Author: Dana Richard Villa Publisher: Peeters Publishers ISBN: 9789042907812 Size: 73.80 MB Format: PDF, Mobi View: 4131
Since early texts as "Thinking and Politics," Arendt had highlighted the contrast between philosophical and political thinking and compelled herself to find a satisfactory answer to the question: "how do philosophy and politics relate?." In her last work "Lectures on Kant's Political Philosophy" (1982), Arendt analyses the "political" dimensions of Kant's critical thinking. To think critically implies taking the viewpoints of others into account: one has to "enlarge" one's own mind by comparing our judgement with the possible judgements of others. While thinking remains a solitary activity, it does not cut itself off from all others.The essays in this book address the philosophical and moral questions raised by Arendt's attempt to draw out the political implications of "critical thinking" in Kant's sense. In one way or another, they all address the place of judgment in Arendt's thought. Arendt's turn to Kant and The Critique of Judgment was motivated by her desire to find a form of philosophizing that was not hostile to politics and the public realm. But did she really think that Kant's characterization of the judging spectator pointed the way out of the opposition between the universal and the particular, between looking at things sub specie aeternitatis and looking at things from a political point of view? To what extent did she think that Kant was successful in revealing a mode of thought oriented towards public persuasion, yet one which retained its critical independence?Each of the essays wrestles with the complexities of a complex thinker. They remind us that critical thinking or Selbstdenken is among the most difficult and rare arts, even though it is an art potentially accessible to everyone. They also remind us that Hannah Arendt was a virtuoso of this art, and of how her example points the way toward a renewal of judgment as the political faculty par excellence.